How do they cohabit?
It’s not exactly new. Hieronymous Bosch and Goya, Balthus, and Picasso’s erotic works blazed the trail: the scandalous, the grotesque, the hardly tolerable, the violent and the beautiful coexist as one in art. Even so, here it is not about painting trash as much as it is about painting a period that is “trash”. Not provocative or scandalous for scandal’s sake, but rather an attempt to convey the movement of the times, via the movement of the paintbrush.
Creating to comprehend…creating to pierce the mystery of a world in which we can feel alien, displaced. Creating to understand the intentional refusal of the aesthetically pleasing,and decadence and the obscenity raised as new norms.Creating to truthfully reflect the sad decline of the human relation. Creating to resist. To continue to be. To exist, (h)ic et nunc. Creating, that trash may also be chic.
And so it is that trash and beauty generate/nourish each other, coexisting in the face of controversy and drawing their respective matrixes from a society in search of new points of reference. One no longer exists without the other.
Without scandal there can be no history of art…but still…