I have always painted listening to music, and it is from here that the concept of transcribing music into painting came. Without doubt, I sought to break through the mystery that forms matter into spirituality. For this, I adopted the grand spirits (air) of the classical operas. Through colors, forms, foundations (backgrounds), I have attempted to fill the gap between the visible and the invisible. Between emotions, senses and pure creation, I think that my "Operas" invite contemplation. This is a unique approach for me which is quasi metaphysical.